Strong bodies and steady minds
What community led means to me, and what it commits me to. Strength that lasts, minds that hold steady, and a room that stays mixed on purpose.

The blog
Notes from the studio.
We write these between classes, mostly about the things people ask us at the door and never quite get a full answer to while somebody is putting their shoes on.
Start anywhere. Nothing here needs reading in order, and none of it assumes you have practised before.
Latest note
What community led means to me, and what it commits me to. Strength that lasts, minds that hold steady, and a room that stays mixed on purpose.
August in Nayarit is humid enough to change how a class feels. What that does to a practice, and what to do about it.
New students usually notice the rope wall before anything else, and usually assume it is for people who are already very good. It is closer to the opposite.
Twenty-six bones each, thirty-three joints, and forty years in shoes. The most neglected part of most practices.
Turning up to a yoga class in a town you are visiting, in a language that may not be yours, at a studio you have never seen. Here is what actually happens.
Sayulita empties out, the humidity arrives, and the studio stays open six days a week. Some of the best practice of the year happens now.
The most reassuring two words on any timetable, and the ones most likely to put a beginner in the wrong room.
They get shelved together, they are both done on a mat, and they are after different things. Which matters if you are choosing one.
An hour in a studio is a small fraction of a week. What you do with the other hundred and sixty-seven matters more.
Starting late is not a disadvantage that needs managing. It changes what you should be training for, which is a different thing.
Ballet, tap and jazz for children run seven times a week and cost $120 MXN. Here is what to sort out before the first one.
The joint that gets blamed most and causes least. What is usually going on, and the positions worth being careful with.
Two of the teachers here came to this work through their own injuries. That changes what a room feels like when you arrive carrying something.
Strong physical practice, chanting, music and a theme running through the class. It is not what most people picture when they hear the word yoga.
Fifteen class names, eight teachers and six days. A short guide to picking the right box for a body you have got today.
The props and the slow pace make people expect an easy hour. It is frequently the hardest class on any timetable.
January is the month people decide to become someone who practises. Most of them stop by February, and the reason is almost never willpower.
An argument against the annual review, and for the only measure of a practice that has ever meant anything.
A short list, one thing on it that nobody expects, and one question you should ask rather than guess at.
Where the line is, roughly, and the part most people get wrong, which is not about you.
A practical note for both halves of the room, written for the fortnight when the town changes character.
A note for visitors about what is happening at the start of November, and how to be in it without being a nuisance.
Somebody said something to you when you were nine and you believed them for thirty years. Here is the case for the class you keep not booking.
The block is not the beginners' version. In a lot of positions it is the only way the pose does what it is supposed to do.
September again. A year on from the last one, and an argument for treating the empty weeks as the useful ones.
It gets treated as the expensive option for people who want to be pampered. It is the fastest way to fix a specific problem.
Day one of a trip is the worst possible day for an ambitious class, and it is the day most people book one.
Being singled out in a class feels like being told off. It is almost always the opposite, and here is what is going on.
The phrase is everywhere and it describes nothing. What is actually limiting you, and why it is not the same for the person next to you.
The people who quit are rarely the ones doing too little. They are the ones who decided too little did not count.
Bad nights change what a class should be. The instinct to train harder is almost always the wrong one.
Of the children's classes, tap is the one parents ask about last. There is a good argument for it being the one to start with.
They get sold as a package everywhere on this coast. What surfing actually does to a body, and which practice answers it.
Two years off, or ten. The re-entry is nothing like the beginning, and people prepare for the wrong one.
Overhead positions are where most people feel stuck. The restriction is usually somewhere they are not looking.
The busiest week in the Mexican calendar, and the one visitors most often walk into without knowing it is happening.
Being told to breathe is the least useful instruction in yoga, right up until somebody explains what they mean by it.
There are humpbacks in the bay from December to March. A note on what that has to do with getting to a morning class.
Both are slow, both are mostly on the floor, and they are doing opposite things to you. Worth knowing which one you booked.
The postures beginners are most impatient to get past are the ones carrying everything that comes later.
Deciding to practise more is not a plan. Picking two specific classes on two specific days is.
Nobody knows what day it is and the town is at its fullest. A short guide to using the strangest week of the year well.
The month with the most reasons to skip. A case for the low-effort version instead of the nothing version.
Small movements, light or no weight, and a burning sensation in muscles you had not been introduced to. Why that happens.
The weather turns, the flights start landing, and the same class you had to yourself in September becomes a different room.
Sayulita runs in Spanish and English, often in the same sentence. Here is why that matters less in a class than you would think.
It looks like something you already know. It comes from somewhere else entirely and is after something different.
You lie down and someone plays instruments at you for an hour. Reasonable questions follow. Here are honest answers to them.
September is the wettest month of the year here, and the one most visitors never see. It is also the best the hills ever look.
A cooled room is not about comfort. It changes what you can safely ask of a body in August.
From reading to practice
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